Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

Sunday, October 23, 2011

Conferences, comics and politics

Okay. I’ll admit it. I’ve been neglecting this blog like it was a pile of dirty dishes. A lot of exciting things have happened in the comics world (to me, at least), so I’ll discuss them in order:


Dibujados:

Dibujados was an enjoyable event, mainly because it was filled with lots of comics and people I like. It was held in a hostel and was set up really well for selling, mingling and signing, but not for the lecture series it hosted.* The lectures were given in an open hall and there were a lot of people talking in the background, so I couldn’t hear much. In terms of my Spanish skills, I still haven’t mastered the ability to understand fragments of lectures. (I am proud to say that I am getting better at overhearing conversations. The other day I heard one street cleaner say to the other “He wanted women, but he could only find transvestite prostitutes.”) But I enjoyed the event because I bought a bunch of comics and saw my friends, so I give it four stars.


University of Palermo’s “9º Jornadas de Diseño de Historietas:”

The Jornada offered a series of lectures that dealt from all points of view from the creation of a comic to its eventual sale as a book. You can see the impressive series of lectures here. I attended the second half to learn about the part of the comics creation process that I hadn’t learned about through my interviews, like the printing process, sales in comics stores and magazine topic selection.


Seminar paper for “Artes secuenciales:”

The theme for my paper for Laura’s class dealt with how the economy has an impact on the ability for comics artists to live off their work. I turned it in on Tuesday and met with Laura on Friday for my oral final. Overall, I really enjoyed the final product, though the process of writing a paper turned me into a lunatic. (Makes me wonder how I ever maintained friends in college while turning in a 10-page paper every month.) I got an 8 out of 10, a good grade considering the fact that I wrote it in Spanish. Hopefully, I will translate some of the content for my blog and eventually turn it into some sort of paper.


Interview with Andrés Valenzuela and article in Cuadritos:

Andrés Valenzuela, comics journalist and generally awesome person, interviewed me for his blog Cuadritos. We met in the most silent bar I’ve ever been to in Buenos Aires and talked for about 30 minutes. Fortunately, we did the interview in English, so I don't end up sounding like a raving idiot in the article. The paper I wrote for Laura’s class helped me organize my ideas, so that when I talked about my grant my proclamations were focused and clear, looking at the larger picture instead of a few small details. Anyway, if you want to read the interview, you can find it here: “Los últimos ocho años beneficiaron a la historieta argentina.” ("The last eight years have benefitted the Argentine comic") As the title implies, I talk about economic stability in Argentina during the last eight years. During the past eight years, both Nestor and Cristina Kirchner were in power. Coincidentally Argentina had elections today in which Cristina Kirchner won.


Anyway, next week I’m going to continue with interviews and transcribing. I will be publishing piece by piece an interview I did with Diego Agrimbau. And, most importantly, I'm going to find a costume for Halloween.


*I complain about space a lot in this blog. Maybe I’m anal retentive or excessively bothered by everything, but I think layout can make or break an event. And other people have commented similar ideas to me in interviews or personal conversations, so I’m not the only crazy one.

Wednesday, September 14, 2011

Government support of comics

When I interviewed Andrés Valenzuela, I asked him about how comics could gain a commercial presence and form a larger part of popular culture. He proposed that a regular, yearly festival in Buenos Aires would be beneficial, but to have these festivals, government support would be needed. Allowing a government official to open the festival would provide an incentive for politicians to fund these events. A connection between comics and politics can be beneficial for both groups. The “Homenaje a la Historieta Argentina en la Legislatura,” (Tribute for the Argentine Comic in the Legislature) an event I attended yesterday, was a step in that direction. The event was a two-part lecture, first a general discussion of the Argentine comic, and then a homage to El Eternauta. The lecture was accompanied by a showing of original artwork of some of Argentina’s most well known comics (Isidoro, Divito’s ladies, Carlos Gardel).

The first presentation, “Cómo, qué y por qué leer historietas?,” combined a random mix of people: Patricia Breccia and Carlos Nine (both artist/writers), Laura Vazquez (an investigator and writer), and Diana Maffía (Diputada de la Ciudad, city representative). The talk was unstructured, with each participant expounding on their own personal philosophy and connection to comics. Personally, I was most interested in Diana Maffía, the politician, to learn more about her motivations for joining the group. She talked about her childhood reading comics and talked about her observations on women in comics. Apparently, this diputada wrote the law that established the “Día de la Historieta,” a national holiday that celebrates comics. A semi-important holiday was born out of one person’s childhood interest in comics. The event wasn’t a success in itself, the incoherent choice of speakers led to a bit of tension and some weird vibes, but the fact that the government held a homenaje is important. It shows that courting politicians and developing their interest in comics could lead to more support, just as Andrés Valenzuela suggested. Maybe the comics community doesn’t want to get involved in politics, but for the field to grow, comics need presence, and to get presence, financial investment is necessary. The community needs somebody to represent it on a political scale, a consultant. Maybe my analysis is a bit simplistic, but representation could be essential for the growth of the medium.

Okay, I’m done being serious. I initially wanted to end my post with some sort of silly commentary on the break food (we got stale cookies, the other conference got delicious medialunas), but this post ended with a depressing analysis and it didn’t fit with the mood. So, I am going to end with drawings of the conference (I didn't have a camera, so I forced Santiago Slaby, my boyfriend, to draw some of the presenters):

Carlos Nine

Patricia Breccia