Afterwards, I went with Guillermo (a classmate from Diego’s workshop) to the fairs at Parque Centenario and found...a whole new genre of comic. As a child, Tintin fascinated me. The plots, drawings, and characters helped form a love of comics that lasts until this day. So naturally, when I came across La Vida Sexual de Tintin, a porno comic featuring all the characters from the series paired off in interesting ways, I bought it. I haven’t read it yet, but I’m sure it’ll be traumatizing!
Fierro a Fierro
The University of Buenos Aires Social Sciences
On Monday, I went to an exhibition of pages and covers from the magazine Fierro, curated by Laura Vazquez, my adviser and teacher. The pages were not originals, but blown up, printed, and mounted. Usually, when I go to exhibitions, I get involved in a conversation within minutes of arriving and don’t get to actually see the artwork. Well, I got half way through the show when my friend Hernán saw me and invited me over to talk.
Remember that story about the six men in the cabin in Lobos? Apparently that story has become legend in the Argentine comics world. Anyway, most of those men were there and I got to hear them speak about their work during the show’s opening presentation. Diego Agrimbau, the moderator, asked the group of artists and writers if they had read the first run of Fierro and how they felt about publishing in the second run. As children or young adults, most of them had read the Fierro, but only a few dreamed of publishing their stories in the magazine. An interest in comics from a young age was a unifying factor. Facial hair was the other common bond. A word of advice to all the young men out there: if you want to publish in the Fierro, a beard/moustache/goatee is a must.